John Hewitt — Pre- and Post-Production Veteran
How this multiskilled artist went from car design to VFX and previz via “I, Robot”, “Alice Through the Looking Glass” and “Godzilla: King of the Monsters.”
How this multiskilled artist went from car design to VFX and previz via “I, Robot”, “Alice Through the Looking Glass” and “Godzilla: King of the Monsters.”
Award-winning photographer and compositor on Guardians of the Galaxy and Edge of Tomorrow, talks ghostly pirates, killer drones, moving rocks...and pineapples.
Academy Award-nominated VFX artist tells Chris how he’s taken his experience from blockbusters The Wolf of Wall Street and The Jungle Book into virtual reality.
VFX vets on the serious fun of Digital Domain's input on everything from Titanic to Thanos — plus what it’s like to work with the biggest names in Hollywood.
Learn how V-Ray helped Digital Domain maximize the level of detail on Thanos in Avengers: Infinity War and render some of the film’s most challenging moments.
Black Panther’s VFX supervisor reveals how he worked his way up to this crucially important role.
Chris Nichols of Chaos Group talks to Chris Nichols of Digital Domain to discuss digital humans, Thanos of Avengers: Infinity War, and how they used to get each other's emails.
Digital Domain’s digital human experts discuss the incredible work which went into Avengers’ Thanos
VFX vets talks software, swimsuits — and Scott Ross
The James Bond of the VFX industry talks about his work on the Matrix, X-Men and How the Grinch Stole Christmas.
Discussing digital humans with DD’s resident expert.
DD supe talks Fate of the Furious VFX.
Nerding out with an artist who's ridden the wave of VFX
How Star Wars set this VFX artist on a globetrotting journey to follow his dreams
A hero of the VFX industry talks Deluxe, Digital Domain, and digital heads
From architecture to visual effects—and back again.
Lisa Beroud, a former Executive Producer at Digital Domain, talks to us about the art of production.
We speak to Sally Slade of Magnopus about her career as a Technical Director as well as her new ventures in VR and AR
We speak to Blake Sweeney, head of software at Method Studios.
Jacqueline Cooper talks about compositing, wildlife, VR, and how we can use technology to make people aware of the plight of the monarch butterflies.
Stephen Parker talks about his past, computer graphics, digital humans, GTC 2016, and more.
Eric Barba discusses his career which lead him to be a new Creative Director at Industrial Light and Magic in Vancouver.
Brandon Davis talks about balancing VFX, the Army, and life.
Doug Roble talks about software development and the future of VFX