Andy Wilkoff — CG Lead/TD, A52
Do VFX companies have a heart? “X-Men” and “I, Robot” VFX artist — and 3D printing pro — tells Chris how he got through tough times in a turbulent industry.
Do VFX companies have a heart? “X-Men” and “I, Robot” VFX artist — and 3D printing pro — tells Chris how he got through tough times in a turbulent industry.
Punk production designers, CG portrait painters, powerful producers and previz pioneers — Chris Nichols selects his favorite podcasts of the last 12 months.
Learn how V-Ray helped Digital Domain maximize the level of detail on Thanos in Avengers: Infinity War and render some of the film’s most challenging moments.
We talk to Method's Nate Shaw about wrangling Rocket Raccoon into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.
For Black Panther's most climactic moments, ScanlineVFX turned to Flowline and V-Ray to simulate and render the perilous backdrop of Wakanda's Warrior Falls.
After Black Panther and Ready Player One VFX supervisor tells you everything you need to know about working on set in the movies
World building - the storytelling process every 3D artist and designer should build into their work.
Behind the scenes of Black Panther, Fast & Furious 8, and Beauty and the Beast with this on-set data integration lead
Daniel Thron and Chris talk about the Mad Max series, Australian New Wave, the power of editing, and VR.