Finding Ningyo
VFX duo’s kickstarted film about the quest to discover a mythical creature catches Hollywood’s attention, with a little help from V-Ray.
Miguel Ortega — The Ningyo
Want to make a short film? Listen to this interview with The Ningyo director Miguel Ortega to find out how to do it — and what not to do
Aaron Sims Creative – Making a Monster for Stranger Things
With Stranger Things 2 fueling water cooler conversations around the world, we chat to ASC’s Steffen Reichstadt and Michael Pecchia about creating series one’s terrifying Demogorgon.
Ian Spriggs, Scott Eaton, Steven Wang & Phil Liu — THU2017
VFX and gaming artists gather in 2-for-1 THU podcast.
KINGSGLAIVE: FINAL FANTASY XV ups its Game with V-Ray
Director Takeshi Nozue on the latest entry in the FF film series.
The new master: Ian Spriggs talks photorealism and portraits
CG Labs’ Chris Nichols talks to Hollywood creature creator about his incredible imagery.
V-RAY DAYS @ SIGGRAPH 2017 ROUNDUP
Guardians of the Galaxy Vol.2, Stranger Things and Digital Humans headline blockbuster presentation roster.
V-Ray VFX & Animation Showreel 2017
We are proud to share our 2017 VFX & Animation Showreel showcasing some incredible work by V-Ray and Phoenix FD customers from around the world.
Digital Domain — Fate of the Furious
Sub-zero chase realized with V-Ray 3.5 for Maya’s Adaptive Lights tech
Dave Carlson
Nerding out with an artist who's ridden the wave of VFX
How to move V-Ray scenes between applications
We developed V-Ray scene files to help you move a scene from one application to render in another.
Chris Wells
Gongs, graphics and green screens with an expert VFX supervisor and artist
Pixomondo - Fear the Walking Dead
VFX supervisor Timothy Hanson reinvents the reanimated in for Walking Dead spin-off.
Understanding Resumable Rendering
In short, resumable rendering is the ability to have incomplete renders resume where they left off.
fxguide looks at V-Ray’s Stochastic Renderings
How V-Ray 3.4 brings realistic metallic and glistening surfaces to life.
V-Ray's implementation of the Anders Langlands' alSurface shader
V-Ray's implementation of the Anders Langlands' alSurface shader
Game of Thrones’ “Battle of the Bastards” scoops VFX Emmy
Iloura uses V-Ray to render effects for massive skirmish sequence.
Jellyfish - Floogals
How Zodiak Kids show “Floogals” is pushing the boundaries of CG in TV for tots.
Fido - Kung Fury
How this Swedish effects house breathed life into David Sandberg's bonkers vision.
Emilie Stabell – Creating Creatures for Games
We talk to this promising artist about pressing start on a career in the games industry.
MPC – Electric Dreams
MPC Creative drives into tomorrow with its spot for Faraday Future.
Zoic Studios – The Man in the High Castle
How the effects company reinvented San Francisco and New York for Ridley Scott's Amazon TV series.
Kollected – Design Illustrations for National Geographic
Nick Kaloterakis on his high-tech 3D illustrations for National Geographic, NY Times and Wired.
Hamilton + Kidd – Great White Sharks VR
We dive into virtual reality with Curiscope’s Ben Kidd to discuss this breathtaking sharks project.